Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.
回答：这部影视作品的场景布景设计独具匠心，展现出独特的美学风格，给人留下深刻印象。
《从今天到明天》剧情设置是否出人意料？有没有令人难忘的反转？
回答：剧情设置充满惊喜，充斥着出人意料的情节发展，令人印象深刻的反转让观众大呼过瘾。
《从今天到明天》如果这部影视作品能与其他影视作品跨界合作，您认为哪部作品最适合？
回答：如果这部影视作品能与其他作品跨界合作，我认为与相同领域的编导进行合作会非常有趣，两部作品风格相近，可以带来许多有趣的元素。
《从今天到明天》如果您能改编这部影视作品的结局，您会选择怎样的结局？
回答：如果我能改编这部影视作品的结局，我可能会选择一个更加开放或悬疑的结局，让观众产生更多想象空间和讨论话题。
《从今天到明天》这部影视作品中是否有一句对白或台词让您印象深刻？能分享一下吗？
回答：这部影视作品中有一句对白“你真好看”让我印象深刻，这句话深刻表达了角色的内心世界。
《从今天到明天》如果您能在这部影视作品中扮演一个角色，您会选择哪个角色？为什么？
回答：如果我能在这部影视作品中扮演一个角色，我可能会选择饰演男一号，因为这个角色的成长历程和情感转折让人动容。
《从今天到明天》在您看来，这部影视作品最大的亮点是什么？
回答：在我看来，这部影视作品最大的亮点在于心意十足，这一特点让整部作品显得独具魅力。
